Testing a new axe as I didnt find much videos with these new guitars by Ibanez. It has really long scale - 673mm so sorry for that I cannot stretch my fingers that far as on shorter scale guitar.. Anyway, this guitar is beast and Bareknuckle Aftermath are really grinding every chord.. played through Mesa Boogie JP-2C + Mesa Boogie 412 OS box, featuring Ernie Ball Music Man JP13 for a short solo.. enjoy :)

Mesa Boogie Mini Rectifier Head 25W
Mesa Boogie Recto Cabinet 2x12 Vertical

Mesa Boogie Subway D-800
Mesa Boogie Subway Ultra-Lite 1x15 Bass Cabinets

Mesa Boogie Mark V 25 Head
Mesa Boogie Recto Cabinet 2x12 Horizontal

YAMAHA StageCustom Birch

YAMAHA MDDX8

TC HELICON MIC MECHANIC 2

Zoom Q8

SR STUDIO in KOREA

Trying out the JP2C in the Room. The series where I try and blend microphones to a point where it's a good representation of how a rig sounds like while being in the room. Obviously tone is subjective so even though I think it sounds like this in the room, doesn't mean that it's what you would enjoy.

@dreamtheaterofficial @JohnPetrucciofficial @mesaboogie @solar-guitars

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I'm Ola Englund and welcome to my channel. A channel dedicated to guitar related gear with a focus on metal. I also play in the metal bands The Haunted & Feared and run a guitar company https://www.solar-guitars.com

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EDITING: OrionVP

When Dream Theater visited Trondheim, Norway, we got to sit down with two of the founders of the band, John Petrucci and John Myung. This was quite a special day for us, as Dream Theater for the first time ever played in the city where the origins of Dream Theater World started out. DTNorway had its homebase in this city for many years, and the people behind DTNorway took initiative to start Dream Theater World. Apologize for the audio quality, we did what we could with what we had.

The greatest instrumental ever written in the history of Metal. Orion by Metallica is a pure demonstration of the band's creative genius and diverse inspirations. Cliff Burton's classical influence is strongly present especially in the middle break section with the harmony guitars and strong underlying bass line.

Played along the original track, enjoy, like and subscribe.

Guitars : RRR Custom Explorer and ESP SV II
Amps: Blackstar S104 6L6 and Mesa Boogie Mark V 25
Effects: TC Electronic and MXR pedals
Two Notes Torpedo Captor into Focusrite Scarlett

Metallica plays two versions of "Master of Puppets" live. One version ends before the slow and soften part of the song - and the other one is the complete version as it was released on the same entitled album.
Since its release it has almost always been a fixed part of Metallica's live show.

The Best Solos Ever Reader's Choice:
The solo of "Master of Puppets" reached the 51st place in the "100 Best Solos Ever Reader's Choice" in the september 1998 issue of Guitar World.

The covers:
Primus recorded a cover of "Master of Puppets". Holochaust and Limp Bizkit just covered the song during their live shows.

The samples:
"Master of Puppets" has been sampled by Anthrax for "I'm The Man!" and by The Pulp for "Metal Techno".

Subject matter:
It is about the drug (especially heroin) addiction and its consequences.

Interpretation possibility #2:
If the song refers to the album's cover, the song could stand for how the government controls soldiers' lives and send them into death. Depending on the lyrics the cover artwork would better fit to "Disposable Heroes".

The government: The hands with strings which are connected to
-the white crosses on the ground. The hands are in the sky because
-in the figurative sense the government stands above everything.
-The government conrols - pulls the strings.

The soldiers: Stand for the white crosses which are used for the burial of
-deceased soldiers of war. At the cross on the left of the cover there is
-an army helmet and at the cross in middle of the cover there is an army
-identification tag hanging on. The high grown grass could maybe hint at
-that the graves are old or that the nameless soldiers are falling into oblivion.


Metallica about "Master of Puppets"
Kirk Hammett: I used a Mesa-Boogie Mark 2C amp and a black Randy Rhoads custom Jackson guitar. For the four-bar fill at the beginning of the song, the rest of the guys wanted something high and screeching, but I came up with something a bit more percussive and riff-like, a flatted fifth-type figure. I got this real raunchy, over distorted sound which clashed well with the tight rythm sound James had. James played the first solo in that song, which is a great solo. I worked on the next solo for a couple of days - getting it tight was a real task for me. While recording the track, my hand accidently pulled a string off the neck, and it grounded on the neck pick-up, giving me something like a high D. It sounded like I slid up to a super high note that isn't even on the neck, so we left it. For the next solo we used backwards guitar parts. To get them I played a bunch of guitar parts that were in the same key as the song and laid them down on quarter-inch tape. Then we flipped the tape over and edited it, so we had two or three minutes of backwards guitar. We put it in the last verse of the song.

James Hetfield: I think we wanted to write another song like "Creeping Death" - with open chords carried by the vocals and a real catchy chorus. On "Master of Puppets" [album] we started getting into the longer, more orchestrated songs. It was more of a challenge to write a long song that didn't seem long. The riff for that song was pretty messy - constantly moving it works good live; people love to scream "Master!" a couple of times. (source: GuitarWorld issue of '91)

All rights goes to the band Metallica, the record label, copyright owner etc.

Guitarless backing track found on youtube, all guitar tracks are me playing.

Guitar sound from Hotone Ampero

A little bit improv on the last part. Hope you enjoy!

Title: Barstool Warrior
Album: Distance over time
Artist: Dream Theater
Writer: John Petrucci, Jordan Rudess, John Myung, Mike Mangini, James Labrie

I do not claim any right over the songs use in this video. All rights reserved to respective copyright owner.

#Guitarcoversolo #JohnPetrucci #DreamTheater #Solidfan

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Is it similar to John Petrucci?

In honor of Dream Theater's 40th anniversary and in celebration of John Petrucci's 40 years playing Boogie amps, Mesa/Boogie has just released the Limited Edition JP~2C 1x12 combo. In this extensive interview John and his longtime tech Maddi Schieferstein share the backstory of the combo, discus the design process for the JP~2C, the nuances of their working relationship, and much more!

For more information about the Limited Edition JP~2C 1x12 Combo, please visit http://www.MesaBoogie.com

The amp that made Metallica sound so good! Hear the Mesa MK IV in mixes and riffs.

TONE WARS KEMPER PROFILES & HELIX, HX FX, HX STOMP & POD GO PRESETS HERE –
https://www.tonewars.com/

SHOP MOTOR CITY GUITAR HERE -
https://motorcityguitar.com/discount/TONEWARS

CONTACT JARROD HERE –
[email protected]

PayPal Support Link –
[email protected]

Playing Warm Up Song
Enjoy !

Jess here, sharing a demo of this great BFR majesty
riffs, leads, Cleans

The back track in the overview is recorded by me using this guitar.

check out Megadead our MEGADETH tribute band:
https://m.facebook.com/pg/megadeadpdx/posts/?ref=page_internal&mt_nav=0

John Petrucci de Dream Theater nous parle de sa Wah Wah Cry Baby signature et de comment il est arrivé à créer ce son si particulier.

▶ http://www.laboitenoiredumusicien.com/dunlop-pedales-d'effets-jp95-p500827/

La Cry Baby Signature John Petrucci a un son énorme et expressif, avec tous les contrôles indispensables à John pour sculpter le son de sa wah wah avec précision : Volume, Q et un égaliseur 6 bandes de 100Hz à 3.2KHz.

-----------------------------------
-Basé sur le Rack Cry Baby de John Petrucci
-Contrôle ultime du son de l’effet wah wah
-Contrôles internes de Volume, Q et EQ 6 bandes
-Finition Smoked Chrome
----------------------------------
Toutes les infos sur les produits DUNLOP :
http://www.laboitenoiredumusic....ien.com/marques/dunl
-----------------------------------

SUIVEZ-NOUS ET ABONNEZ-VOUS
+ YouTube : http://bit.ly/abonnementBNdM
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An example of the tight and articulate rhythm guitar tones the JP2C is capable of using Ch. 2 with EQ 1.

Master Of Puppets was written by Metallica not me. Duh. The riffs used in this video are for demonstration of the amplifier only.

Trying out the Mesa Boogie John Petrucci of Dream Theater JP2C amplifier with matching standard 4x12 cabinet that I bought last year. It came with a damaged tube socket so I had to send it for repair, but now it's back and it's kicking ass.

0:00 Intro Song
1:27 Intro Talking
3:17 Playing
6:25 Clean Channel
7:25 Lead
9:09 Drop C chugging
9:30 Microphone Setup
9:55 Conclusion

------------------------------------------------------------------------
I'm Ola Englund and welcome to my channel. A channel dedicated to guitar related gear with a focus on metal. I also play in the metal bands The Haunted & Feared and run a guitar company https://www.solar-guitars.com

My Pages
► My Music - http://www.olaenglundshop.com
► Website - http://www.olaenglund.com
► Twitch - http://www.twitch.tv/olaenglundofficial
► Facebook - http://www.olaenglund.com/facebook
► Instagram - http://www.instagram.com/olaenglund
► Feared - http://www.fearedband.com

► Want to interact more with me? Join My Discord Channel and Become a Youtube Member for VoiceChat and more. Click the Join button above. Link To Discord - https://olaenglund.com/discord

►List of things I use to make my video(affiliated links)
https://www.amazon.com/shop/fearedse

Mesa/Boogie Mark V (IIC+ mode) & 1986's non-EQ Mark III A/B Comparison.

The V is on a modified Marshall 4x12, fitted with 2 V30s and 2 C90s, double mic'ed with a MD421 and a SM57, right channel.

The III is on a custom made 4x12, fitted with the stock G12T-75 from the other cab, double mic'ed with two SM57s, left channel.

I am playing some Metallica riffs with a stock LTD KH-602 through a homemade A/B/Y box.

The Mark III has a Boss GE-7 in the loop, slightly 'V-shapped'(otherwise, it cannot follow the Mark V).

Sorry for the lousy mixing. I think the two amps go well together. I'd appreciate some comments :)

Songs: Enter Sandman (lounge version) by Richard Cheese; Creeping Death; Master of Puppets; Enter Sandman; Battery.

Mesa Boogie Mark V Tone:

Master of puppets
...And Justice for All

I know I have done many videos like this before but I couldn’t resist to do another one. This is a Dream Theater style song made in the GarageBand app.